RE-CO BKLYN has recently teamed up with the NYC Parks department and local tree services to harvest large quantities of storm damaged trees from Hurricane Sandy. We are milling and kiln drying live edge slabs from NYC’s own trees. Feel free to make an appointment to visit our yard, shop or showroom to look at lumber or discuss your custom design needs.
It’s been a long road from our humble beginnings to where we are now. We have gone from milling logs with chainsaws on the sidewalks of Bushwick to running our own 5400+ square foot facility housing a new mill, drying kiln, and a huge variety of logs from all over the New York area. We have been working hard to provide craftsmen, furniture makers, designers and woodworkers with beautiful, unique material sourced from right here in the city.
Aside from reducing the strain on our already overloaded landfills, we are putting the beauty that our trees give us back out in the world. With the broad palette of North American hardwoods at our disposal we are able to offer live edge slabs and wide boards in the following species:
Red oak, White oak, Silver Maple, Sugar maple, Norway maple, Elm, Hickory, Black birch, Black walnut, Black cherry, Poplar, Mulberry,American beech…etc.
Check http://www.recobklyn.com to view our current inventory; email us at firstname.lastname@example.org to be added to our newsletter and be notified you when new stock is added; and be sure to like us on facebook at http://www.facebook.com/recobklyn.
Sample sale starting this Wednesday on for a week (perfect timing to pick up your Valentine’s gift). The samples include the soft hand tee shirts and work shirts which are timeless and built to last. The cash purchase will be tax free. All major credit cards. All sales are final. Visit kaidutility.com to see collection.
In the latest issue of City Journal, Kay Hymowitz, who adventurously moved her young family to Park Slope in the early 1980s, charts the fall and rise of Brooklyn over the last century and change, from its industrial heyday through the drug- and crime-addled decades of the sixties, seventies and eighties and to its remarkable turnaround of the last fifteen years in which it’s become a magnet for the city’s burgeoning creative class. The first section of the article starts on a personal note, describing the boarding house next door run by the widow of the postal worker who owned it; house became progressively more run down and depressing until it finally burned down in 1995 when one of the bed-ridden elderly tenants fell asleep with a lit cigarette.
If you’ve been in Park Slope recently, you can probably guess how things turned out for the Lehane house. But you may not know why. How did the Brooklyn of the Lehanes and crack houses turn into what it is today—home to celebrities like Maggie Gyllenhaal and Adrian Grenier, to Michelin-starred chefs, and to more writers per square foot than any place outside Yaddo? How did the borough become a destination for tour buses showing off some of the most desirable real estate in the city, even the country? How did the mean streets once paced by Irish and Italian dockworkers, and later scarred by muggings and shootings, become just about the coolest place on earth? The answer involves economic, class, and cultural changes that have transformed urban life all over America during the last few decades. It’s a story that contains plenty of gumption, innovation, and aspiration, but also a disturbing coda. Brooklyn now boasts a splendid population of postindustrial and creative-class winners—but in the far reaches of the borough, where nary a hipster can be found, it is also home to the economy’s many losers.
Hymowitz credits Giuliani’s campaign against crime with laying the groundwork for the gentrification that began in the nineties (“After the 81st Precinct, which encompasses the eastern half of the neighborhood, saw a 64 percent plunge in violent crime between 1993 and 2003, the lawyers, editors, artists, and nonprofit administrators started venturing in.”) as well as the rezonings of formerly industrial neighborhoods that made way for a residential building boom.
The third reason for Brooklyn’s “modern revival,” as she calls it, was…
… the arrival of the college-educated creative types. How’s this for a great stat? Between 2000 and 2008, the number of college-educated residents in Williamsburg increased by 80 percent. Importantly, she notes, these creative types (which includes the “culinary hippies”) were decidedly more entrepreneurial than their predecessors.
And it’s definitely not a happy ending for all, according to Hymowitz:
Brooklyn’s story, then, doesn’t lend itself to a simple happy ending. Instead, the borough is a microcosm of the nation’s “hourglass economy.” At the top, the college-educated are doing interesting, motivating work during the day and bicycling home to enjoy gourmet beer and grass-fed beef after hours. At the bottom, matters are very different. Almost a quarter of Brooklyn’s 2.5 million residents live below the poverty line—in the housing projects of East New York, in the tenements of Brownsville, or in “transitional” parts of Bushwick and Bed-Stuy, all places where single-mother poverty has become an intergenerational way of life. Between 2000 and 2010, the percentage of the area’s population on welfare did decline markedly, but the number of Medicaid recipients almost tripled, to nearly 750,000. About 40 percent of Brooklyn’s total population receives some kind of public assistance today, up from 23 percent a decade ago.
About the book Artists’ Handmade Houses is a collection of 13 homes handcrafted by the finest artists and craftsmen in America, including George Nakashima, Henry Varnum Poor, Sam Maloof, Wharton Esherick, and Russel Wright. Built over the course of 75 years, from the late-19th century to the mid-20th century, these homes were each designed and built by the artists as an expression of their aesthetic sentiments, and in many cases, as extensions of their artwork. As such, these private domains are utterly unique and deeply imbued with each artist’s singular vision and talent. A few of the homes have been awarded National Historic Landmark status, and several are open to the public, while still others have sadly fallen into disrepair or are now in the hands of new owners. In a few cases, the photographs in this book represent the last record of the house as created by its artist resident. Artists’ Handmade Houses: ”Freeman’s ability to capture details . . . coupled with a good eye for scale, gives the reader a true sense of place; Gotkin’s insightful text is an added delight, deepening readers’ appreciation of the design that makes each home so unique.” -Publishers Weekly.com About the author Don Freeman’s photographs appear regularly in The World of Interiors, Vogue, House Beautiful, and Vanity Fair, among others. He has published two books and is based in New York. Michael Owen Gotkin is a landscape architect and city planner in New York City. His articles have appeared in World of Interiors and Pin-Up.
Kathleen Hackett and Stephen Antonson, the authors of the how-to book “Home From the Hardware Store,” are renovating their house in Boerum Hill, Brooklyn, filling it with yard-sale finds and homemade pieces. In the book, Mr. Antonson, an artist, uses items from the hardware store to make home goods — candelabra from plumbing parts; a lamp out of drain grates; a coffee table from the kind of galvanized elbows used in ductwork. Click to visit article
Three design students in Norway, Angell Wyller Aarseth, got together and created some of the best looking cookware I have seen. The three piece set, titled “Handle Me” debuted at Meet My Project, an expo of prototypes from design studios last week in Paris. I look forward to seeing this line get produced.