design, furniture and lifestyle in bklyn, ny

Latest Ramblings

Kai D. Tools & Clothing For Artisans Sample Sale

by brooklynmodern ~ February 5th, 2013

kaid_sample-sale

Sample sale starting this Wednesday on for a week (perfect timing to pick up your Valentine’s gift).  The samples include the soft hand tee shirts and work shirts which are timeless and built to last. The cash purchase will be tax free.  All major credit cards.  All sales are final. Visit kaidutility.com to see collection.

Brooklyn’s Atelier de France – Bruno Lopez

by brooklynmodern ~ March 29th, 2012

Atelier de France, Inc.
481 Van Brunt Street
Brooklyn, NY 11231
T: 718 643 2288
F: 718 643 2289
M: 718 781 7277
www.atelierdefrance.com

The Furniture Machine

by brooklynmodern ~ December 22nd, 2011

9781851774944on sale at the store in 3rd Ward.

The Resurgence of Brooklyn, Explained by Kay Hymowitz

by brooklynmodern ~ December 1st, 2011

21_4-kh1

In the latest issue of City Journal, Kay Hymowitz, who adventurously moved her young family to Park Slope in the early 1980s, charts the fall and rise of Brooklyn over the last century and change, from its industrial heyday through the drug- and crime-addled decades of the sixties, seventies and eighties and to its remarkable turnaround of the last fifteen years in which it’s become a magnet for the city’s burgeoning creative class. The first section of the article starts on a personal note, describing the boarding house next door run by the widow of the postal worker who owned it; house became progressively more run down and depressing until it finally burned down in 1995 when one of the bed-ridden elderly tenants fell asleep with a lit cigarette.

If you’ve been in Park Slope recently, you can probably guess how things turned out for the Lehane house. But you may not know why. How did the Brooklyn of the Lehanes and crack houses turn into what it is today—home to celebrities like Maggie Gyllenhaal and Adrian Grenier, to Michelin-starred chefs, and to more writers per square foot than any place outside Yaddo? How did the borough become a destination for tour buses showing off some of the most desirable real estate in the city, even the country? How did the mean streets once paced by Irish and Italian dockworkers, and later scarred by muggings and shootings, become just about the coolest place on earth? The answer involves economic, class, and cultural changes that have transformed urban life all over America during the last few decades. It’s a story that contains plenty of gumption, innovation, and aspiration, but also a disturbing coda. Brooklyn now boasts a splendid population of postindustrial and creative-class winners—but in the far reaches of the borough, where nary a hipster can be found, it is also home to the economy’s many losers.

Hymowitz credits Giuliani’s campaign against crime with laying the groundwork for the gentrification that began in the nineties (“After the 81st Precinct, which encompasses the eastern half of the neighborhood, saw a 64 percent plunge in violent crime between 1993 and 2003, the lawyers, editors, artists, and nonprofit administrators started venturing in.”) as well as the rezonings of formerly industrial neighborhoods that made way for a residential building boom.

The third reason for Brooklyn’s “modern revival,” as she calls it, was…

… the arrival of the college-educated creative types. How’s this for a great stat? Between 2000 and 2008, the number of college-educated residents in Williamsburg increased by 80 percent. Importantly, she notes, these creative types (which includes the “culinary hippies”) were decidedly more entrepreneurial than their predecessors.

And it’s definitely not a happy ending for all, according to Hymowitz:

Brooklyn’s story, then, doesn’t lend itself to a simple happy ending. Instead, the borough is a microcosm of the nation’s “hourglass economy.” At the top, the college-educated are doing interesting, motivating work during the day and bicycling home to enjoy gourmet beer and grass-fed beef after hours. At the bottom, matters are very different. Almost a quarter of Brooklyn’s 2.5 million residents live below the poverty line—in the housing projects of East New York, in the tenements of Brownsville, or in “transitional” parts of Bushwick and Bed-Stuy, all places where single-mother poverty has become an intergenerational way of life. Between 2000 and 2010, the percentage of the area’s population on welfare did decline markedly, but the number of Medicaid recipients almost tripled, to nearly 750,000. About 40 percent of Brooklyn’s total population receives some kind of public assistance today, up from 23 percent a decade ago.

THE ARCHITECT’S ARCHIVE: great site for reference

by brooklynmodern ~ August 31st, 2011

visit: THE ARCHITECT’S ARCHIVE

Screen-shot-2011-08-03-at-3.07

casiers-U-02

Candy Table; custom designed furniture

Visit YHBHS

by brooklynmodern ~ May 12th, 2011

Very cool blog: YHBHS

-1

Artists’ Handmade Houses

by brooklynmodern ~ May 10th, 2011

9780810995840via Dwell:

About the book Artists’ Handmade Houses is a collection of 13 homes handcrafted by the finest artists and craftsmen in America, including George Nakashima, Henry Varnum Poor, Sam Maloof, Wharton Esherick, and Russel Wright. Built over the course of 75 years, from the late-19th century to the mid-20th century, these homes were each designed and built by the artists as an expression of their aesthetic sentiments, and in many cases, as extensions of their artwork. As such, these private domains are utterly unique and deeply imbued with each artist’s singular vision and talent. A few of the homes have been awarded National Historic Landmark status, and several are open to the public, while still others have sadly fallen into disrepair or are now in the hands of new owners. In a few cases, the photographs in this book represent the last record of the house as created by its artist resident.  Artists’ Handmade Houses:  ”Freeman’s ability to capture details . . . coupled with a good eye for scale, gives the reader a true sense of place; Gotkin’s insightful text is an added delight, deepening readers’ appreciation of the design that makes each home so unique.”  -Publishers Weekly.com  About the author Don Freeman’s photographs appear regularly in The World of Interiors, Vogue, House Beautiful, and Vanity Fair, among others. He has published two books and is based in New York.  Michael Owen Gotkin is a landscape architect and city planner in New York City. His articles have appeared in World of Interiors and Pin-Up.

In Brooklyn, Making It Up as They Go via nytimes.com

by brooklynmodern ~ March 3rd, 2011

hardware_style

Kathleen Hackett and Stephen Antonson, the authors of the how-to book “Home From the Hardware Store,” are renovating their house in Boerum Hill, Brooklyn, filling it with yard-sale finds and homemade pieces. In the book, Mr. Antonson, an artist, uses items from the hardware store to make home goods — candelabra from plumbing parts; a lamp out of drain grates; a coffee table from the kind of galvanized elbows used in ductwork. Click to visit article

Credit: Trevor Tondro for The New York Times

Cookware gets some design treatment

by admin ~ January 30th, 2011

Three design students in Norway, Angell Wyller Aarseth, got together and created some of the best looking cookware I have seen. The three piece set, titled “Handle Me” debuted at Meet My Project, an expo of prototypes from design studios last week in Paris. I look forward to seeing this line get produced.

cargocollective

An interview with NY Magazine’s Wendy Goodman

by brooklynmodern ~ January 4th, 2011

Brooklyn Modern often re-posts from New York Magazine’s design section, which has featured the borough’s DIY design/furniture scene in detail. Many designers owe the magazine’s design issue or weekly design coverage, for their work finding a larger audience. We were lucky to get NY Mag’s design editor Wendy Goodman to answer a few questions for us.

Wendy’s newest book was released in October 2010, The World of Gloria Vanderbilt, and her design-world coverage can be found in her weekly New York Magazine features and in the Design Hunting newsletter on nymag.com.

NY Magazine's 2010 design issue: Evan and Oliver Haslegrave

NY Magazine's 2010 design issue: Evan and Oliver Haslegrave

brooklyn modern: You are the design editor for New York Magazine, one thing I notice about your coverage is that you feature a broad range of styles, can you describe how you define “New York Design.”  Or more specifically what do you see as the most influential thing now?

Wendy Goodman: I feature a broad range of styles because I am interested in the most personal points of view of how people live in the city, so any and all styles interest me as long as the execution is personal and somewhat ingenious. As New York magazine is a general interest news magazine geared specifically to New York, I look for what I feel is most creative and innovative in residential living here. Decorating and trend spotting is for shelter magazines, not that we don’t’ keep up and track that as well, it is just that the more personal a design story is, the more interesting it is-it’s never about how much money people have, but rather what their passions and initiatives are, and how they express that at home.

NY Magazine

NY Magazine: Brooklyn designers MADE

brooklyn modern: How did you first become interested in design? You have one book out on Tony Duquette, do you have plans for any others?

Wendy Goodman: My second book, The World of Gloria Vanderbilt, was published by Abrams October, 2010. I started my career as a fashion editor, although as a sort of renegade one, as I worked freelance for Harper’s Bazaar and the New York Times Sunday magazine at first. Then I went on to New York magazine and was the Fashion Editor there in the late ‘80’s.

It was during that time that I was taken to lunch by the fashion designer, Pauline Trigere at La Grenouille restaurant. I was mesmerized by the scale of the rooms in what had originally been a carriage house for the Plant mansion across the street (now the Cartier building) as well as the fantastic paintings on the walls. I discovered all sorts of wonderful stories that had happened over the years there through Charles Masson whose family owns the restaurant. I eventually did a story on the family, and the artist, Bernard Lamotte who lived and painted there, so that coupled with other events in my life inspired me to shift gears and devote myself to design on a broader scale in respect to how people live.

brooklyn modern: There is a very strong online community, especially in New York. How do you see the relationship between a print publication’s coverage and sites like Apartment Therapy, Brownstoner and Cool Hunting

Wendy Goodman: There are so many fantastic sites and they are all are so good! It does make it more of a challenge to get to projects first as ‘the scoop’ has always been an editorial imperative, and it still is, only now it is a double whammy: on top of print, you have to scoop the blogs and sites too!

NY Magazine's on Lyndsay Caleo and Fitzhugh Karol

NY Magazine: Brooklyn designers Lyndsay Caleo and Fitzhugh Karol

brooklyn modern: I notice both in your newsletter, “Design Hunting,” and in the magazine you have been focusing a lot on the current DIY/artisan scene in Brooklyn? When did you first notice this new wave of young designers and style in Brooklyn?  And as a follow up, how do you find these small, design-centered Brooklyn folks?

Wendy Goodman: Brooklyn has been such a hot bed of great design studios and designers for a while now. I began covering the Brooklyn Designs show from the beginning and then became a juror, which I love as meeting and discovering new designers is the best. I am out on the street, and in the subway scouting and scouting…ear to the ground, and everywhere else, is how I find my stories and moving fast when I get a lead. There isn’t anyplace I won’t go.

brooklyn modern: There are several strong influences on the Brooklyn scene, the work of mid-century designers, new technologies in sustainability and the re-use of materials, a return to handcrafted furniture, and a new ‘cult of the artisan.’  Where do you think these ideas originate, and how did Brooklyn become the DIY/artisan ground zero?

Wendy Goodman: I think Brooklyn became the artisan ground zero as the real estate allowed artists and designers to have access to great studio space in the way that SoHo and the Lower East Side did back in the ‘60’s. But all that will change as real estate prices make it prohibitive for financially challenged young emerging talent to have places to experiment and work. The scene will move to the next emerging neighborhood.”

brooklyn modern: You have covered most of the best of Brooklyn Designers, what are your favorites?

Wendy Goodman: There are so many!  I love Uhuru and MADE, Grow House Grow, Eric Manigian, Flavor Paper, Eskayel…  to name but a few of the plethora of great talent out there.

One of Goodman's favorite paintings by Sebastien Stoskopff

One of Goodman's favorite paintings by Sebastien Stoskopff

Brooklyn Designers

4 korners 4 korners ecosystems uhru manigian big prototype euclid city joinery aswoon brucemarsh atlas bravespace scottbraun palo samko standard41 night woodny todd mccolister wonk total metal resource matt gagnon DFMF the design can robert martin designs wud readymadeprojects Robert Austin Gonzalez benton custom Eric Ervin  

INTERVIEWS

LOCAL GREEN DESIGNS: STEPHANE HUBERT

Articles on Bklyn Furniture Movement

FEATURED VIDEO: TMR'S SIDE WIRED DESK

BLOGS TO NOTE